
With Keith Godchaux's spry quick-finger piano notes adding a barroom blues feeling and wife Donna Godchaux's soaring background vocals bringing up the rear, the Dead puts a vibrant spring into the step of contagious fare such as the rousing "U.S. Always prized for its superb fidelity, the effort possesses an uncanny sense of airiness around the vocals, brilliant microdynamics, excellent transients, reference-caliber balance, accessible tonalities, and the distinctive aura of a real band playing in a defined space. After laying down the basic structures, a few overdubs got added, most notably in the form of John McFee's rustic pedal-steel guitar accents on one track and Ned Lagin's spacey synthesizer passages on another. Originally made in a modern facility dubbed Studio A – a large cinderblock room that Columbia Records specially outfitted for Simon and Garfunkel, who, ironically, split up before they could use it – From the Mars Hotel was primarily recorded live to 16-track machines. MoFi's engineers have taken every precaution in honing the sound and feel of the Dead classic. Vastly improving upon the long-out-of-print 1984 MoFi version that currently commands upwards of hundreds of dollars on the aftermarket, the new version takes advantage of enhancements to the cutting system, pressing process, and mastering gear. Mastered on Mobile Fidelity's world-renowned mastering system and strictly limited to 2,500 copies, Mobile Fidelity's hybrid SACD of From the Mars Hotel comes on as both an audiophile delight and Deadhead's dream. In the lobby, you'll find decoratively funky "Scarlet Begonias." Do we need mention the music, performances, and sights sound and look better than ever? Yes, we're certain you'll enjoy your stay. And the Grateful Dead's interplay continues to wow, peaking on "Unbroken Chain," the most obvious example yet of the group's shared chemistry and individual talents. Blues" that serves as both an irresistible rallying cry of pride and ironic commentary. Phil Lesh is busy experimenting with a low-frequency concept known as "Earthquake Bass." Jerry Garcia is smiling, fresh from blaring a tongue-in-cheek anthem titled "U.S. The Wall of Sound, the greatest PA system ever constructed, is freshly built and ready to go. Mastered on Mobile Fidelity's World-Renowned Mastering System, Limited to 2,500 Numbered Copies: Hybrid SACD of Audiophile Favorite Boasts Tremendous Transparency Blues," "Unbroken Chain," "China Doll," and More Wave That Flag: Grateful Dead's From the Mars Hotel Spotlights Elementary Strengths of Each Band Member and Features "U.S.
